Lesbian / Gay / Queer Literature

In the three decades since New York City's Stonewall rebellion, gay literature has exploded as a distinctive form of cultural expression. In a variety of styles and genres, gay men have increasingly begun to articulate their sexual identities. At the same time, gay writers and scholars have begun in earnest the search for a literary history long denied by the refusal to recognize homosexual love as an integral part of Western literature.

Explores a multitude of sexual, ethnic, racial, and socio-economic experiences. Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading.

From Renaissance love poems to twentieth-century novels, plays, and short stories, The Literature of Lesbianism brings together hundreds of literary works on the subject of female homosexuality. Terry Castle explores the emergence and transformation of the "idea of lesbianism": its conceptual origins and how it has been transmitted, transformed, and collectively embellished over the past five centuries.

A groundbreaking collection tracing the history of intellectual thought by Black Lesbian writers.

Now researchers have a one-stop source for information about notable gays and lesbians from all cultures, time periods and occupations. Gay and Lesbian Biography provides comprehensive profiles on approximately 275 prominent gays and lesbians. This first-of-its-kind resource covers famous names as well as many lesser-known individuals not covered elsewhere.

Overviews of gay and lesbian presence in a variety of literatures and historical periods; in-depth critical essays on major gay and lesbian authors in world literature; and briefer treatments of other topics and figures important in appreciating the rich and varied gay and lesbian literary traditions. Included are nearly 400 alphabetically arranged articles by more than 175 scholars from around the world.

Biographical, bibliographical, and critical information on more than four hundred authors who have figured prominently in gay and lesbian literature and culture since 1900.

Pop culture historian Anthony Slide resurrects fifty early 20th century American novels with gay themes or characters and discusses them in carefully researched, engaging prose. Each entry offers a detailed discussion of plot and characters, a summary of contemporary critical reception, and biographical information on the often-obscure writer. Lost Gay Novels gives you an introduction to: authors who aren't usually associated with homosexuality.

While lesbian literature can trace its name back to the Greek poet Sappho, who was born on the Island of Lesbos in 630 B.C., it was not until the past century that the genre really gained popularity. More lesbian poems, novels and plays, as well as secondary literature, have been produced during the last one hundred years than during all the previous centuries put together. The Historical Dictionary of Lesbian Literature serves two primary functions: to provide further information to those who are already familiar with the field, and to explain it to those who are just getting acquainted. Several hundred cross-referenced dictionary entries on important writers such as Sappho, Colette, Mary Wollstonecraft, and many others who are less well known are included. Other entries deal with the styles, themes, literary movements, publishers, and outstanding works of the genre. It is hoped that the entries, taken together, will provide an idea of the factors, which have influenced the development of the lesbian identity as an interaction between readers and writers of all kinds of literature.

In essays on literary images of lesbianism from Defoe and Diderot to Virginia Woolf and Djuna Barnes, on the homosexual reputation of Marie Antoinette, on the lesbian writings of Anne Lister, Sylvia Townsend Warner, and Janet Flanner, and on Henry James's The Bostonians, Castle shows how a lesbian presence can be identified in the literature, history, and culture of the past three centuries.

Challenges the long accepted view that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. With its ambitious scope and elegant style, Before the Closet sets same-sex relations in Anglo-Saxon sources in relation to the sexual themes of contemporary opera, dance, and theatre. Frantzen offers a comprehensive analysis of sources from the seventh to the twelfth century and traces Anglo-Saxon same-sex behavior through the age of Chaucer and into the Renaissance.

Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

The gay and lesbian novel has long been a distinct literary genre with its own awards, shelving categories, bookstore spaces, and book reviews. But very little has been said about the remarkable history of its emergence in American literature, particularly the ways in which the novel about homosexuality did not just reflect but actively produced queer life. Drawing on Mikhail Bakhtin's insight that the history of society is connected to the history of language, author Natasha Hurley charts the messy, complex movement by which the queer novel produced the very frames that made it legible as a distinct literature and central to the imagination of queer worlds. Her vision of the queer novel's development revolves around the bold argument that literary circulation is the key ingredient that has made the gay and lesbian novel and its queer forebears available to its audiences. Challenging the narrative that the gay and lesbian novel came into view in response to the emergence of homosexuality as a concept, Hurley posits a much longer history of this novelistic genre.

Was Shakespeare gay? Is The Merchant of Venice anti-Semitic? How does mainstream reading differ from that of subcultural groups? In this lively and readable book, Alan Sinfield challenges the assumptions of English literature and investigates the principles and practices that may inform lesbian and gay reading.

Catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.

What is lesbian literature? Must it contain overtly lesbian characters, and portray them in a positive light? Must the author be overtly (or covertly) lesbian? Does there have to be a lesbian theme and must it be politically acceptable? Marilyn Farwell here examines the work of such writers as Adrienne Rich, Marion Zimmer Bradley, Jeanette Winterson, Gloria Naylor, and Marilyn Hacker to address these questions. Farwell addresses some of the most problematic issues at the intersection of literature, sex, gender, and postmodernism. Illustrating how the generational conflict between the lesbian- feminists of twenty years ago and the queer theorists of today stokes the critical fires of contemporary lesbian and literary theory, Heterosexual Plots and Lesbian Narratives concludes by arguing for a broad and generous definition of lesbian writing.

While many books have been written about gay writing, this is an account of male gay literature, across cultures, languages, and from ancient times to the present.

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

Contents include essays on Myth and morality, sources of law and prejudice; From sin to sickness; Radclyffe Hall; Gertrude Stein; Willa Cather; Vita Sackville-West; Ivy Compton-Burnett; Elizabeth Bowen; Colette; Violette Leduc; Margaret Anderson; Dorothy Baker; May Sarton; and Maureen Duffy.

This volume examines the relatively new, and expanding, genre of gay and lesbian literature through a diverse set of texts. Essays survey the critical conversation regarding the theme, explore its cultural and historical contexts, and offer close and comparative readings of key texts in the genre. Readers seeking a deeper understanding of the theme and its notable authors can explore it in depth through a variety of critical approaches.

This is the first book to provide and account of how emotional and sexual relationships between men have been depicted in English literature from the Renaissance to the modern period.

Conventional ideas about gender and sexuality dictate that people born with male bodies naturally possess both a man's identity and a man's right to authority. Recent scholarship in the field of gender studies, however, exposes the complex political technologies that construct gender as a supposedly unchanging biological essence with self-evident links to physicality, identity, and power. In Masculinities without Men? Jean Bobby Noble explores how the construction of gender was thrown into crisis during the twentieth century, resulting in a permanent rupture in the sex/gender system, and how masculinity became an unstable category, altered across time, region, social class, and ethnicity.

In a lecture delivered before the University of Oxford's Anglo-French Society in 1936, Gertrude Stein described romance as "the outside thing, that ... is always a thing to be felt inside." Hannah Roche takes Stein's definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the "straight" traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.

Winner of two Lambda Rising Awards. "A landmark of a book and a landmark of ideas that will shatter ignorance and delusion."--Catharine Stimpson.

Intimate Friends offers a fascinating look at the erotic friendships of educated English and American women over a 150-year period, culminating in the 1928 publication of The Well of Loneliness, Radclyffe Hall's scandalous novel of lesbian love. Martha Vicinus explores all-female communities, husband-wife couples, liaisons between younger and older women, female rakes, and mother-daughter affection. Women, she reveals, drew upon a rich religious vocabulary to describe elusive and complex erotic feelings. Vicinus also considers the nineteenth-century roots of such contemporary issues as homosexual self-hatred, female masculinity, and sadomasochistic desire. Drawing upon diaries, letters, and other archival sources, she brings to life a variety of well known and historically less recognized women, ranging from the predatory Ann Lister, who documented her sexual activities in code; to Mary Benson, the wife of the Archbishop of Canterbury; to the coterie of wealthy Anglo-American lesbians living in Paris. In vivid and colorful prose, Intimate Friends offers a remarkable picture of women navigating the uncharted territory of same-sex desire.

Love and Money argues that we can't understand contemporary queer cultures without looking through the lens of social class. Resisting old divisions between culture and economy, identity and privilege, left and queer, recognition and redistribution, Love and Money offers supple approaches to capturing class experience and class form in and around queerness.   Contrary to familiar dismissals, not every queer television or movie character is like Will Truman on Will and Grace--rich, white, healthy, professional, detached from politics, community, and sex. Through ethnographic encounters with readers and cultural producers and such texts as Boys Don't Cry, Brokeback Mountain, By Hook or By Crook, and wedding announcements in the New York Times, Love and Money sees both queerness and class across a range of idioms and practices in everyday life. How, it asks, do readers of Dorothy Allison's novels use her work to find a queer class voice? How do gender and race broker queer class fantasy? How do independent filmmakers cross back and forth between industry and queer sectors, changing both places as they go and challenging queer ideas about bad commerce and bad taste?   With an eye to the nuances and harms of class difference in queerness and a wish to use culture to forge queer and class affinities, Love and Money returns class and its politics to the study of queer life.

In Love Stories, Jonathan Ned Katz presents stories of men's intimacies with men during the nineteenth century—including those of Abraham Lincoln—drawing flesh-and-blood portraits of intimate friendships and the ways in which men struggled to name, define, and defend their sexual feelings for one another. In a world before "gay" and "straight" referred to sexuality, men like Walt Whitman and John Addington Symonds created new ways to name and conceive of their erotic relationships with other men. Katz, diving into history through diaries, letters, newspapers, and poems, offers us a clearer picture than ever before of how men navigated the uncharted territory of male-male desire.