African American Women Writers

In this wise, beguiling, beautiful novel set in the era of the Civil War, an award-winning playwright and author paints a haunting portrait of a woman named Always, born a slave, and four generations of her African-American family. From the Trade Paperback edition.

Vinnie is an overworked and self-sacrificing single mother who gets a second chance at love and independence, in "The Eagle Flies." In "A Shooting Star" a happily married mother of two laments the fate of her beautiful friend Lorene, whose naivete about desire has deadly consequences. In "A Filet of Soul," Luella's luck soon changes when her mother leaves her a modest inheritance, but not as soon as she initially imagines. And in "The Lost and Found," Irene confronts her womanizing boyfriend with the one piece of information that will bring him to his knees.

In Some Love, Some Pain, Sometime, Cooper's characteristic themes of romance, heartbreak, struggle and faith resonate. We meet Darlin, a self-proclaimed femme fatale who uses her wiles to try to find a husband; MLee, whose life seems to be coming to an end at the age of forty until she decides to set out and see if she can make a new life for herself; Kissy and Buddy, both trying and failing to find them until they finally meet each other; and Aberdeen, whose daughter Uniqua shows her how to educate herself and move up in the world.

Harriet A. Jacobs's Incidents in the life of a slave girl, written by herself: the ur-narrative of black womanhood -- Not enough of the past: Octavia E. Butler's Kindred -- History, agency, and subjectivity in Sherley Anne Williams's Dessa Rose -- The metaphysics of black female identity in Toni Morrison's Beloved -- J. California Cooper's family: of (absent?) mothers, (motherless?) daughters, and (interracial?) relations -- The economies of bondage and freedom in Lorene Cary's The price of a child.

The neo-slave narrative is an important development in American literary history and has serious revisionist intentions at its foundation. This book examines how contemporary African American women writers have shaped the genre. These authors have written neo-slave narratives to reinscribe history from the perspective of the African American woman, most specifically the nineteenth century enslaved mother. The writers considered in this study -- Sherley Anne Williams, Toni Morrison, J. California Cooper, Gayl Jones, and Octavia Butler -- explore American slavery through the lens of gender, both to interrogate the myth that enslaved women, denied the privilege of having a gender identity by the institution of slavery, were in fact genderless, and to celebrate the acts of resistance which enabled enslaved women to mother in the fullest sense of the term.